"By the early twentieth century, convergent Russian and Japanese imperial ambitions in the Far East reached the boiling point over Manchuria. In February 1904 Japan attacked and sank much of the Russian Pacific Fleet anchored off Port Arthur. Weakened by successive and humiliating defeats that helped spawn the 1905 revolution, the Russians accepted U.S. President Theodore Roosevelt’s offer of mediation, as did the exhausted Japanese. Representatives of the two sides met in Portsmouth, New Hampshire in September 1905, where they signed the Treaty of Portsmouth. Under the terms of the agreement, Russia was forced to give up many of its earlier gains in Manchuria and the Far East." -Library of Congress
Side View of Temple Building with Red Sky Background
Balloon with Japanese Flag in the Sky
Sinking Russian Naval Boat
Red Explosion Motif and Silver Lines
Rising Sun, Cherry Blossoms, and Eagle
Danger Off Port Arthur
The Fall of the Variag
Letter from the Front
Nurse and Soldiers
Nurse Looking Over a Wounded Soldier
School Girls' Banzai
News Runners Rushing in with the Latest
Newspaper Man Rushing in the Latest
Newboys in Fight
Newsboy Selling Extras
Crowds Gathering to Read the News (by Hashimoto Kunisuke)
Children Holding Japanese and Russian Flags
"The Russo-Japanese War coincided with the emergence of picture postcards as a global phenomenon. Photographers, artists, illustrators, flat-out propagandists—all suddenly possessed, in these engaging little mass-produced graphics, a new vehicle for reaching a huge popular audience.
International postal conventions made it possible to circulate these images globally. Collecting postcards became a modest way to become cosmopolitan without much expense, and the war between Japan and Russia provided the first dramatic international spectacle for postcard manufacturers to focus on in common. Admiral Tōgō’s surprise attack triggered a postcard boom—not just in Japan but around the world.
This new mode of expression attracted many of the nation’s talented artists, including some who were or would become well known. The postcards themselves became ephemeral little works of art as well as little gems of propaganda.
This makes Japanese postcards of the Russo-Japanese War interesting in their own right, but this is just the half of it. Because Russia was also producing postcards of the war, and not only Russia but also France, England, Germany, Italy, and the United States, the great “war in the Far East” of 1904-1905 is the first modern war we can revisit, in a compact and manageable way, from a truly multi-national perspective.
We can literally “see,” through thousands of fixed-format images (postcards have remained the same size to the present day), what people throughout the world were being offered as a mirror to the war and all that it portended." -John W. Dower, MIT's Visualizing Cultures [link]
all of these come from MIT's beautiful Visualizing Cultures collections [link]
also see the accompanying collection Yellow Promise / Yellow Peril, a collection of foreign postcards from the war [link]
another related collection of woodblock prints from the war [link]
an essay by John W. Dower about the war and these postcards (with more postcards) [link]
for more information and resources on the war visit the impressive Russo-Japanese War Research Society website [link]
LOC's Russian-Japanese Relations in the Far East [link]
Strange Maps Russo-Japanese War Cartoons post [link]
About Postcards post Russo-Japanese War Military Propaganda Postcard [link]
Friday, August 21, 2009
Wednesday, August 19, 2009
Founded in 1900 as a pictorial quarterly called Our Players, it changed its name to The Theatre in May of 1901 when it became a monthly edited by Arthur Hornblow. Subsequently it was known as Theatre Magazine or simply Theatre. It became the finest of popular monthlies devoted to the theatre, as opposed to the more intellectual Theatre Arts, and survived for exactly thirty years, closing after its April 1931 issue. -Answers.com
most of these covers come from magazineart.org [link]
you can view more at finsbry's fabulous flickr page [link]
several more are at the always great Art Deco [link]
more at Gallery Direct Art [link]
thirty or so editions can be read at the Internet Achieve [link]
Monday, August 17, 2009
"The Boar's Head Dramatic Society of Syracuse University was initiated by a small group of students in the spring of 1903. This group recognized the need for an on-campus organization that was solely committed to all aspects of dramatic production. Their plans did not get underway, however, until 1904 when -- still affiliated with the English Club -- they presented "King Lear" in Syracuse, Rochester and Auburn, under the direction of Professor Frederick D. Losey.
On February 9th, 1906, "Boar's Head" was adopted as the official name of the newly founded organization. This name was chosen in honor of the Boar's Head Tavern in Eastcheap, London, 'favorite resort of Falstaff, Prince Hal and their companions' in Shakespeare's Henry IV.
Boar's Head eventually faded out in the late 1960's, but produced over 200 plays in its sixty year run. Dramatic activities continue at Syracuse University, but no longer under the auspices of Boar's Head." -Syracuse University archives
The Great Gatsby - April 3 1928
Time Out - May 11 1931
Life Goes to College - February 14-18 1939
Long Live Love - April 6 1949
The Bourgeois Gentleman - March 14 1950
The Red Rose and the Briar - April 11-18 1951
Some Faint Star - April 2-5 1952
Gigi - April 26-30 1954
Same old faces - November, December 1955
Lysistrata - May 12-15 1954
Othello - February, March 1960
Rashomon - March 17-19 1966
& a few of my favorite ads from the programs...
all of these come from Syracuse University's digital archives [link]