Showing posts with label Occult.. Show all posts
Showing posts with label Occult.. Show all posts

Tuesday, May 12, 2009

Edward Hull Illustrations of "Death's Ramble"

The following are illustrations "designed & done on stone" by Edward Hull for Thomas Hood's poem "Death's Ramble". They were printed by C. Hullmandel and published at The Gallery No. 27 Regent St. in London in December 1827.



One day the dreary old King of Death
Inclined for some sport with the carnal,
So he tied a pack of darts on his back,
And quietly stole from his charnel.

His head was bald of flesh and of hair,
His body was lean and lank,
His joints at each stir made a crack, and the cur
Took a gnaw, by the way, at his shank.

And what did he do with his deadly darts,
This goblin of grisly bone?
He dabbled and spill'd man's blood, and he kill'd
Like a butcher that kills his own.

The first he slaughter'd, it made him laugh,
(For the man was a coffin-maker,)
To think how the mutes, and men in black suits,
Would mourn for an undertaker.

Death saw two Quakers sitting at church,
Quoth he, "We shall not differ."
And he let them alone, like figures of stone,
For he could not make them stiffer.



He saw two duellists going to fight,
In fear they could not smother;
And he shot one through at once--for he knew
They never would shoot each other.

He saw a watchman fast in his box,
And he gave a snore infernal;
Said Death, "He may keep his breath, for his sleep
Can never be more eternal."

He met a coachman driving his coach
So slow, that his fare grew sick;
But he let him stray on his tedious way,
For Death only wars on the quick.



Death saw a toll-man taking a toll,
In the spirit of his fraternity;
But he knew that sort of man would extort,
Though summon'd to all eternity.

He found an author writing his life,
But he let him write no further;
For Death, who strikes whenever he likes,
Is jealous of all self-murther!



Death saw a patient that pull'd out his purse,
And a doctor that took the sum;
But he let them be--for he knew that the "fee"
Was a prelude to "faw" and "fum."



He met a dustman ringing a bell,
And he gave him a mortal thrust;
For himself, by law, since Adam's flaw,
Is contractor for all our dust.



He saw a sailor mixing his grog,
And he marked him out for slaughter;
For on water he scarcely had cared for Death,
And never on rum-and-water.

Death saw two players playing at cards,
But the game wasn't worth a dump,
For he quickly laid them flat with a spade,
To wait for the final trump!



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the illustrations were found at US National Library's Images of the History of Medicine [link]
more Thomas Hood can be read at Project Gutenberg [link]

Saturday, January 17, 2009

1895 Calendrier Magique Lithographs


Colored Lithographs by Manuel Orazi. A rare piece of occultist ephemera, printed in an edition of 777 copies to commemorate magic for the coming year of 1896. Each double page spread mimics the Christian calendar in some respect (name days, iconography). The document is at once a spoof and an attempt to chart the year of magic. Its surviving interest resides in the extravagant and compelling illustrations, especially the full-page right hand plates, by Manuel Orazi (from the Fantastic in Art & Fiction collection from Cornell University)


This red text page is also the colophon / naked hag with book open in lap, sitting on stool, within circle set with candles; gold flames; pentagram, star of David.


owl carrying keys; bat carrying seal


diagram of solar system; listing of dates for days of the week; chant / naked women at Sabbat; satan as winged anthropomorphous goat

sun with cloud interior indicating cardinal directions; charts; spells / bearded man holding up open book; death gazing down; naked woman in foreground

chart of days of week; pentagram with broken circle; le maudit blaspheme / dark angel, naked; moon and skyline

star of David; medieval frieze: procession of priests and nobility; tarot card The World / skeleton of king in coffin; single candle; crowns, sword, staffs, orb


tree; chalises; frog; bird; love potion / exhibitionist bat-winged woman; necromancer gazing, gesturing into glowing cauldron, with familiar strutting on his head

poem; frog / naked woman in arms of dark man; feminine demons coming from smoke of extinguished candle; creatures of the night

laboratory instruments; poem / Alchimist lying on floor of his laboratory, black cat at his feet

chalice on table with legs, ears / woman lying prone on table with chalice on back; men in dark robes around her; satan as goat


charts; poem / demon rolling past moon; procession of dark-robed people into cemetary; abracadabra


charts, bound demon / entranced naked woman crouched down looking upon embers of crosses burning within a circle, a demon is just visible in the smoke

calendar chart; spell / naked old man sitting, creating voodoo doll; bird-like demon silhouetted by moon; hand gripping sword; row of dolls; heart pierced by nails, knife


poem ‘le Héraut’; calendar chart; star diagram with suns at points, labeled: l’être est, réalité, justice, raison, vérité / man in ecclesiastical garb, bearing flag with crosses, holds forth an opened message with broken seal; figures tied to stakes and village rooftops in background


chart or various good end evil spirits; chart of planetary influences upon hours of the days of the week; lions; owl; snake; bird food / chart of the good and bad spirits/influences that can be magically used on the different days of the week

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see the entire Fantastic in Art & Fiction collection [here]
 
*please cite or link when reposting*